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West Side Costumes Had 60 Years of History

66 The LabelWhen it involves West Side Story, there’s quite a few cultural reminiscence at play. There’s the music, the dancing, the cast, the Shakespearean love tale, the historic context, and, intermixed with it all, the costumes—especially of the unique 1957 Broadway display and the 1961 movie, each dressed through the mythical Irene Sharaff. (And that’s now no longer to cut price the literal lots of nearby and neighborhood productions, indebted to flouncy skirts sewn through discern volunteers and limitless pairs of Chuck Taylor All-Stars.) “West Side Story has been a part of my existence because the beginning,” says Paul Tazewell, who costumed Steven Spielberg’s new West Side Story movie adaptation—ever on account that he and his brothers accomplished in a summer time season musical theater manufacturing of it even as developing up in Akron, Ohio. Tazewell went directly to grow to be the Tony Award-prevailing gown fashion dressmaker at the back of Hamilton, In The Heights, and The Color Purple, digging into records to create wardrobes that bring time and place. His method is research-heavy, and for Spielberg’s West Side Story he appeared to 20th-century photographers Bruce Davidson and Gordon Parks, who captured metropolis existence thru the era. “Being real to 1957 changed into extremely important,” Tazewell says. “We have been distressing things, we’re breaking it down, giving them existence.” As of final week, he’s already earned a Critics Choice nomination for his work. There are some archetypal appears in West Side Story’s style legacy—Maria’s red-belted lace dress, Anita’s flouncing purple, and now yellow, “America” outfit—however it’s the gangs’ ensembles that floor the tale in a selected second of New York City’s past: the postwar demolition of an Upper West Side community to make manner for Robert Moses’s Lincoln Center. In the primary scene of the 1961 model, we’re delivered to the white ethnic Jets and the Puerto Rican Sharks, the former’s sooty white tennis footwear as opposed to the latter’s black Chuck Taylors, as they conflict over territory (or, alternatively, the proper to stay and permit stay) of these few blocks withinside the West 60s. Sixty years later, Spielberg’s model starts offevolved withinside the identical place, with Tazewell’s shadeation palette delineating the 2 facets and their dueling degrees of ambition: the Jets in dingy blues, leather, and denim; the Sharks in well-tailor-made rusts, golds, and khaki. Tonally, Tazewell hopes that “the audience [knows] after they feel a heat form of surroundings that they’re coming from the factor of view of the Latinx community; whilst it’s greater cool tones, the blues and the greens, that’s the Caucasian community,” prepared towards the impartial concrete and reflective metal going up round Manhattan in 1957.
The 'West Side Story' Costumes Had 60 Years of History to Draw On
“The Latinx community that were migrating into the city at that time were aspirational, they were about making their lives better,” says Tazewell. “The men were holding jobs and doing the best they could to sustain life, and then I dressed them accordingly. I was very conscious of tailored clothing for the men that were at the dance at the gym; there’s much more detail that’s kind of fashion-forward for the 1950s.” The Jets, meanwhile, are the only characters who wear jeans—“a very American kind of a symbol.” Also Visit : “I am directly relating to that as a Black man, and knowing what my parents and grandparents needed as far as dressing to show self-respect,” he adds. “That’s the means within a brown or Black person’s control to be able to put themselves out there in a respectful way, and to garner respect.” While the 1961 film had a theatrical, Technicolor tone to it—all bright costumes popping against a dark backdrop—the 2021 version feels more cinematic, more lived-in (and, also, unmistakably Spielbergian). Costuming the two teams this time around was as much about the whole as the sum of its parts; during a Q&A after an advance screening of the film for SAG-AFTRA members in Manhattan, members of the cast shared that screenwriter and playwright Tony Kusher wrote pages and pages of backstory for each character, including the ensemble, which Tazewell also took into consideration. “It really did start with Steven’s insistence that it feel naturalistic as [it] possibly could be within the confines of, you know, it being a musical and people are breaking out in song,” Tazewell says. “The original production, the Broadway production and then also the 1961 [film], was representative of what modern-day dress was for the people that were creating it…I’m always acknowledging the fact that it’s going to be a modern audience that is relating to this, and they carry all of the information that they have around West Side Story, all the other productions of West Side Story, into this experience.” Follow us here to : SlotVoyager24 | Slot Online Terbaik JAGO77 | Situs Judi Slot Online Terpercaya 66theLabel | Best Fashion News Site

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